3/31/2023 0 Comments Liquid rhythm collection review![]() ![]() ![]() Speaking as a Logic user pining for Cubase, I couldn't fail to admire the superior drum grid. If you're a Live user, you'll appreciate the integration with the MIDI contents of Liquid Rhythm's clips. This is surely no accident, because Liquid Rhythm has a closer affinity with Ableton Live 9 Suite (and Max For Live 5) than with other DAWs. There are a couple of skins available, both in rather tasteful pastel colours and with a clean, flat look resembling Ableton Live. Installation on the Mac requires the user to manually drag Liquid Rhythm into the application folder, and once you've followed the graphical directions, there's a fairly standard call-and-response authorisation process before you can get started. I guess the question is: does it? Liquid Launch Fortunately, for when it all becomes rather mind-bendingly intimidating, there's a button labelled 'Surprise Me!'. Designed to generate drum patterns or complete rhythm tracks in MIDI format, Liquid Rhythm is a dense package of unfamiliar terminology, colour-coding and hierarchical beat grouping inspired by Jackendoff and Lerdahl's Generative Theory of Tonal Music, the aim of which is to help you come up with fresh grooves for your music. By the way, according to the press release, all the sounds come from Kolàr’s machines, except for Joan Serinyà’s double bass on Trigger and Avoiding The Obvious, which bestows an earthly face on the first of the two tracks in particular.For those stuck in a rhythmic rut, WaveDNA's pattern sequencer plug-in offers some exotic creative tools with even more exotic names.įounded in 2010, WaveDNA are a Canadian company whose first product is Liquid Rhythm. And the album obeys, clearly becoming more experimental in the second half, but not losing sight of the meditative beauty it seeks over the entire distance. Free drifting is the motto that promises the most for Spain based Jason Kolàr. Chimes and synths that appear almost arbitrarily at irregular intervals strive to dissolve any puritanical demands placed on structure and rules. The title track, by contrast, allows the playful strokes to overlap, weaving a new-age hammock into which A Soothing Walk, despite its name, forces itself upon the listener even more decisively. I Have No Idea, for example, despite being introspective, features a lively rhythm guitar that steals the show from the synthetic timbres omnipresent on pretty much every track. Mere referencing, however, doesn’t quite do justice to Jason Kolàr’s third album, which, like its predecessor from last year, Loops and Pieces (2017-2020), is released on the Belgian label Dauw. Magic Random Exotism as the second track dabs even more deliberately in the colour palette of Kankyō Ongaku with its reverberating strokes. Even the opener Bells could have taken place at the same time as milestones in the genre like Hiroshi Yoshimura’s Green. With its minimal tracks aimed at a light-hearted listening experience, »Liquid Rhythm« docks straight onto the genre of Japanese environmental music. To play the media you will need to update your browser to a recent version.
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